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Welcome back to Typo Friday, friends! I went out to the Bins again a few days ago, and even though they raised their price on hardcover books, I was of course, convinced to pick up a handful of goodies such as this music education book with its super bright dust jacket.

The cloth cover itself is no less pleasing. There’s something I really like about the awkward alignment of the type.

Nothing too impressive with the type, but a great cover overall.

This is the real find of my trip. This was just a completely unexpected, stellar find.

No type at all on this cover of Elephant Bill, but I though this elephant line drawing was rad.

This one was just the covers, all the innards having already been removed. I’ve already bound up some heavy drawing paper and turned it into a sketchbook for future use. Which brings up a topic on which I’d like some opinions. The internet and artsy, handmade boutiques and such are full of people who have torn apart old books to turn into sketchbooks and journals and the like. I never really know how to feel; there’s that part of me that feels like there’s something sacred about these books, as relics of another time, but now having collected a wealth of them myself, I realize that most will not be read beyond a cursory skimming, and most of what I have is not worth anything to be resold as either a collectible or serving their original purpose.

My question is: is it better to re-purpose what parts I can of these gems that I can for more modern use, as many others do without thought, or the other option, which may eventually lead back to the Goodwill and into the hands of someone in the same position?

I’ve been busy making perfect-bound journals at the IPRC for the Center to sell at Wordstock this last weekend. I pulled out some old screenprinted off-prints and test-prints and used them for covers. I also found a free, airline safety manual, which made three cool covers as well.

These journals, however, will be for sale at my table at the Alternative Press Expo in San Francisco on October 17-18. The larger heart journals are filled with heavy, drawing paper, while the rest are a mix of different text weight papers, great for writing. All are perfect bound with a screenprinted cover, and most have rounded corners. If anyone here wants one, I’m thinking $3 for a small journal, and $5 for a larger one, plus like $2.50 for shipping.

There’s also a small journal with my “Mmm, Bacon” pig on the cover, but it has a slightly mangled corner on the cover. The first person to feel so inclined as to buy something from the store will get that journal for free. It’s still totally usable, it just ain’t as pretty as the rest.

I finally updated my Imagekind Gallery, after over a year with only my “Drink Friendly!” image in it. I’ve ordered a few prints through Imagekind and the quality is very good. You can choose what paper you’d like, and from quite a few different print sizes. They’ll even frame it for you if that’s what you’re into! For now, any of the five images above can be purchased for as low as $12.81!

I like to affectionately call this print “SharkBike.” I showed a preview of this during my screenprinting process post last week, so now that I am finished with the actual printing, here it is! Each one is 9″ by 18″ and is a three color screenprint. It will be exhibited in the Artcrank Portland Poster Show, which is being held this First Thursday at the Ace Hotel in Portland, Oregon. There are 30 other artists in the show, and each one has created a bike-themed poster using some method of traditional printmaking.

Each poster in the show will be for sale for $30, with $5 from each sale going to Bikes To Rwanda. If you’re in the Portland area, this will be a very good show to get to on First Thursday tomorrow. If you don’t know, the Ace Hotel is located at 1022 SW Stark St. See you there!

I will also have some of the edition to sell here shortly, hopefully by Friday, if anyone is interested in one.

An illustration for the Portland Mercury, which will probably be completely meaningless to anyone outside of Portland. That’s Portland mayor, Sam Adams, and city commissioner, Nick Fish. Two years ago, Portland enacted the “Sit/Lie Ordinance,” basically to target the homeless population. The law said that it was illegal to sit or lie on the sidewalk or street, maybe just in the downtown area, I can’t remember. Anyways, they are finally repealing the ordinance, so why not have a picnic?

Four years ago today, I arrived in Portland, and I have not wanted to live anywhere else since. Thanks, Portland, you’re pretty rad! I know the concept of writing “Stumptown” as wood has been done to death, but I’ve never done it, so there you go. For those of you who don’t know, when Portland was an emerging boomtown, they were chopping down trees so fast for lumber that they didn’t bother to take the stumps out of the middle of the streets, hence the nickname.

Also, here’s a tarted-up quick drawing of Ben Franklin as a test for a project that’s in the works.

My business partner in Man’s Face Stuff Moustache Wax, E.E. Dumas (below me in photo), and I were out for breakfast on Sunday, when by chance we ran into two of our be-whiskered patrons, Joe Wachunas and David Chow at the same restaurant, so of course pictures were taken. Feel the power.

We are currently working on some new scents, an orange and black pepper, of which I have been using the prototype wax for a while now, and some various scent mixes with fresh tobacco.